On Tuesday, February 16, we posted a reflection by Greg Catellier on his recent collaboration with George Staib. George's thoughts on the collaborative concert follow.
The journey off campus for a collaborative concert proved to be memorable, exciting, and rewarding for me. Working with my colleague Greg Catellier was just as inspirational as ever and having his expertise to ease the transition into a new space was tremendously valuable. The Dance Project brought together so many new and exciting dancers under one roof. I met gifted choreographers, danced with lovely dancers, and explored new choreographic methods in my own work which became an incredible learning experience for me.
Greg and I have produced four concerts now and the excitement never gets stale, the discoveries are always fascinating, and the motivation to continue working gets stronger. This in a sense was a debut for my dance company, Staibdance, and I have to admit that this added to the excitement. I am lucky to have an ensemble of tireless, dedicated dancers who give so much of themselves. Having them with me every “step” of the way gave me the safety net I felt I needed, to make something that felt so risky, feel so liberating.
-George Staib
Showing posts with label Gregory Catellier. Show all posts
Showing posts with label Gregory Catellier. Show all posts
Friday, February 19, 2010
Tuesday, February 16, 2010
Two Great Tastes
This week we'll post some reflections from Emory Dance faculty members Gregory Catellier and George Staib. In January, they presented a collaborative concert at 7 Stages Theater in Atlanta. Greg shares his thoughts on the collaboration below; look for George's blog post later the week.
Recently my colleague and friend George Staib and I presented our fourth collaboration, I, at 7 Stages in the Little Five Points neighborhood of Atlanta. We each premiered three pieces. Simultaneously we produced I.C.E.: Independent Choreographers Exchange, a showcase of works by emerging and recently transplanted Atlanta choreographers. All in all, it was a successful endeavor.
The collaboration George and I enjoy is happily multifaceted. It does not center on our dance making processes, although we ask and give each other advice on choreographic predicaments. I also design the lighting for his work, another traditional collaboration.
I would claim that we collaborate more profoundly through the structure of our process leading to the performance. We share space (the theater), resources, and some dancers. We plan the show order, select stage settings, and choose the postcard and program design. We divide some of these tasks and trust each other to make the appropriate decisions. While they may seem mundane, it is these decisions and hundreds of others that craft the show.
I would also contend that the choosing of each other as partners constitutes a critical component of the collaboration. By sharing a performance with George, I assert that I admire his choreography and want my work to be seen with his. It is also significant that by placing our pieces next to each others, the dances change. This is the peanut butter and chocolate effect of our collaboration—two great tastes!
-Gregory Catellier
Recently my colleague and friend George Staib and I presented our fourth collaboration, I, at 7 Stages in the Little Five Points neighborhood of Atlanta. We each premiered three pieces. Simultaneously we produced I.C.E.: Independent Choreographers Exchange, a showcase of works by emerging and recently transplanted Atlanta choreographers. All in all, it was a successful endeavor.
The collaboration George and I enjoy is happily multifaceted. It does not center on our dance making processes, although we ask and give each other advice on choreographic predicaments. I also design the lighting for his work, another traditional collaboration.
I would claim that we collaborate more profoundly through the structure of our process leading to the performance. We share space (the theater), resources, and some dancers. We plan the show order, select stage settings, and choose the postcard and program design. We divide some of these tasks and trust each other to make the appropriate decisions. While they may seem mundane, it is these decisions and hundreds of others that craft the show.
I would also contend that the choosing of each other as partners constitutes a critical component of the collaboration. By sharing a performance with George, I assert that I admire his choreography and want my work to be seen with his. It is also significant that by placing our pieces next to each others, the dances change. This is the peanut butter and chocolate effect of our collaboration—two great tastes!
-Gregory Catellier
Friday, January 22, 2010
The Dance Project
The Dance Project
7 Stages Theatre, 1105 Euclid Ave., Atlanta 30307
404-523-7647
January 21-23, 8:00 p.m.
January 24, 3:00 p.m.
$20 general admission
$9 students
Gregory Catellier and George Staib celebrate their fourth choreographic collaboration with The Dance Project, Jan 21-24. In keeping with their collaborative history, The Dance Project is intensely physical, tenaciously musical, and potently emotional. Both choreographers will premiere three new works that purposefully break from their previous methodologies of choreography. Staib's new work is marked by sensitive theatricality, juxtaposed with a movement vocabulary that is original and riveting. Catellier has chosen to work with a predominantly male cast and has taken on the challenge of J.S. Bach's Chaconne. This concert will not be what you expect from these two choreographers. This project is sponsored in part by grants from the Emory College Center for Creativity & Arts and the University Research Committee of Emory University.
For tickets call the 7 stages Box Office 404-523-7647
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