My choreographic process began with a single concept when I
discovered an article detailing a place off the Alaskan coastline where two
seas of different densities collide, bodies of water lying adjacent to each
other but unable to join. This eternal dichotomy struck me as fascinating
and perhaps a bit tragic as well. From there, I began to experiment with
how different movement styles and, certainly, different dancers can share
space, time, and soundscape but be inextricably separate.
My movement style is full-bodied and places a heavy emphasis on
technique. Building upon that, I encouraged my dancers to test the limits
of their performance habits. The making of my piece, appropriately titled
“Seas of Different Densities”, allowed my dancers a lot of room to create their
own variations of a core phrase that I taught them. The process has been
one dependent on collaboration between my cast and me. Their willingness
to challenge the choreography I gave them as well as make drastic changes at
half a moment’s notice has allowed me to gradually realize the full potential
of my movement.
The dancing in my piece is inspired by water. It knows the fluidity with which a body of water moves within itself, beyond itself. It understands the patience of the Pacific Ocean but also the overwhelming power of the sea. Though accredited as the choreographer of the piece, I sincerely feel that my dancers played just as prominent a role in the making of this dance as I did. Their input and unique perspectives on my movement has allowed my work to transcend something that I can contain alone. Rather, this piece has become a joining of many different seas, perhaps of different densities. Together but separate, it embodies the spirit of that magical place off the Alaskan coast where two seas of different densities collide.
Courtesy of http://kuwaitiful.com/category/photos/page/2/ |
The dancing in my piece is inspired by water. It knows the fluidity with which a body of water moves within itself, beyond itself. It understands the patience of the Pacific Ocean but also the overwhelming power of the sea. Though accredited as the choreographer of the piece, I sincerely feel that my dancers played just as prominent a role in the making of this dance as I did. Their input and unique perspectives on my movement has allowed my work to transcend something that I can contain alone. Rather, this piece has become a joining of many different seas, perhaps of different densities. Together but separate, it embodies the spirit of that magical place off the Alaskan coast where two seas of different densities collide.
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