This is the last in our series of posts by Emory Dance Company choreographers, who have been blogging about the inspirations for their choreography for the spring concert. This week senior Sanet Steyn describes the piece she has developed for the spring Emory Dance Company concert, I Prefer to Call it a Nudge. Buy your tickets now for the concert, April 22-24 (box office: 404-727-5050).
I was not born a dancer. I always found the extension of my limbs bit baffling. In fact, even with four years of dancing at Emory I still seemed to be unable to move elegantly. I have always been described as very athletic, but never quite graceful. Instead of having my lack of lithe movements hold me back from committing to dance, I decided to explore it as a source for inspiration. In my piece for the EDC spring show I explored my strong, athletic style to create a martial arts-jazz fusion influenced piece. I investigated the balance between strength and grace in the female form; with a cast of ten girls, I have the perfect opportunity to express the unique distinctions that define every woman. No girl has the same character or style of movement and in those differences my dance is embodied. Though each girl is different they are all elegant and graceful, but also strong and confident; my piece is the expression of those two seemingly contradicting ideas unified into a singular theme. I’m hoping to draw the audience into the ebb and flow of physical and mental rhythms I experience when dancing. By representing those movements through bodies other than my own that perform it in their own personal style, I hope to emphasize the universal, individual beauty and power of each person.