Continuing with our series of Emory Dance Company student choreographers (see Feb. 12 for the intro), this week senior dance major Tiffany Greenwood describes her choreographic process.
I find everyday events and people fascinating. What I find the most interesting is the subtleties that define these everyday events. So much information is given and received through simple gesture like a handshake, a hug, a look, or a touch. The brush against another person as you walk to class, the placement of another’s hands as they embrace you, or the looks you receive from a friend, lover, family, or an acquaintance are exchanges I want to bring to the forefront.
Using the previous idea mentioned, I want to explore these everyday subtleties the in realm of immediate impulses and reactions. I also want to explore the basic needs and desires of the humans and to investigate how we deal with them particularly when our conscience becomes involved. I would describe the movement as raw, animalistic, indulgent, and impulsive. For my piece, the process is more important than the final production. My dancers and I will use our own experiences, the good and the bad, to derive the movement quality for the piece. My goal is to make the movement and movement quality as raw and realistic as possible because I want it to be an enhanced depiction of everyday life.