No two collaborations are alike; they are invariably unique. The creative destination may be known to all involved, but the method of travel can be wildly divergent. As a composer for the Emory Dance program, I have journeyed many routes in creating music for dance. Some choreographers work out the complete movement before the music is ever composed while others like to create around a set piece. Some find the middle ground by letting both music and movement set the work.
To keep my head on straight, I embrace it all, allowing the challenges in collaboration to push me as an artist. Care and trust are important, for we artists are on tender ground throughout the process. I am so fortunate to work with such thoughtful individuals as faculty members Greg Catellier, Anna Leo, Lori Teague, George Staib, Sally Radell and Tara Shepard Myers. They are all so different in their methods but so similar in the support and respect they give to me and fellow composers like Klimchak.
Now that I think about it, working with someone is my preference. I like to have a partner when I dance.
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